Everything Has Changed
Life Altering Health Care Experiences in 21st Century USA
September 2019 Exhibit at Agitator Gallery, Chicago, IL
Curator: Gretchen Hasse
- The Gallery
- The Curator
- The Show
- Media Accepted
- Exhibition Calendar
- Contact Info
- Exhibition Events
- Key Notes
- How to Submit Your Work for Consideration
- Entry Form
- Gallery Diagram
1. The Gallery
Agitator Cooperative Gallery is a worker cooperative that makes decisions by consensus, valuing each member’s input equally, relying on non-hierarchical collective decision making. Agitator seeks to promote and engage significant art, including art made by conventionally overlooked artists.
Members of Agitator are diverse artist-curators with various racial, socioeconomic, gender, and sexual identities. Members share a common goal to curate art work that agitates or campaigns to provoke dialogue and generate diversity, while respecting each artist’s vision and self-definition.
2. The Curator
Gretchen Hasse has lived with rheumatoid arthritis (JRA) since she was a teenager. The pain and damage in her knees has become more debilitating over time, and enduring the disease has shaped her character. In the fall of 2018, she was able to get 2 full knee replacements. Successful surgeries have reshaped her life.
3. The Show
This exhibit will show work by artists who have experienced — or are experiencing — life changing health care experiences. These experiences do not have to be triumphant success stories. This exhibit seeks nuance and many aspects of how particular artists, as people, have interacted with the health care industry in ways that were profound to them.
The artist chooses the relevant content focus for their work, which should permit the audience some window to the transformation created by the intervention of disease, accident, or health care industry experiences to which the artist’s body has been or is now subject.
4. Media Accepted
Agitator is a small storefront gallery. Priority will be given to works 36” or smaller in any dimension, in order to accommodate a larger group of artists. Please see attached diagram for gallery layout and dimensions.
2D : All media: drawing, painting, prints, etc.
3D : All media, including site-specific installation.
4D : Audio, Video, Poetry and Performance accepted. Generally speaking, pieces should be no longer than 15 minutes in length, although some flexibility may be possible. See below for screening and performance / poetry opportunities.
Do contact us with your questions as they come up.
5. Exhibition Calendar
Application Deadline : July 15, 2019
Acceptance Announcement Date : July 21, 2019
Work Delivery Deadline : September 9, 2019
Exhibition : September 14 – October 5, 2019
Video Screening / Fixed Audio Event : September 20, 2019
Performance Event : September 21, 2019
Physician Talks : Dates TBA
Artists’ Talk : October 5, 2019
Post-show Work Pickup Deadline : October 14, 2019
Gretchen Hasse : email@example.com
Gallery Website : agitatorgallery.com
Artist Talk Event – October 5, 2019
We have programmed an artist’s talk into the show. If individual artists wish to provide a longer discussion, after your work has been accepted to the show, send a proposal to the curator.
Video Screening / Audio Listening Event – September 20, 2019
Agitator will host a audio/video event of short pieces during the month’s programming, providing an opportunity for 4D artists to speak about their work in context of a full presentation of the piece. The screening/listening event will be developed by the video/audio artists, in collaboration with the curator.
Selected video and audio artists must supply a 1-minute teaser of the work they are showing, to provide preview.
Performance and Poetry Event – September 21, 2019
Agitator will present an evening of one or more performance pieces. The performance event will be developed and managed by the performance artists, in collaboration with the curator. Please see attached diagram for gallery layout and dimensions.
8. Key Notes
- All curatorial decisions are final.
- Artwork is insured by the gallery while on exhibit.
- If your work is accepted, by submitting your entry you give Agitator Gallery the right to publish your images for publicity purposes (All credits to artist will be included).
- All artwork must be on display for the entire exhibition, even if the work is sold.
- Agitator Gallery requires a 40% commission-donation on all sales. You will retain 60% of the price at which the work is sold; please price your work accordingly.
- All artwork must be ready to hang.
- Exhibit ends October 5, 2019. Work must be picked up from the gallery by October 14, 2019.
- By submitting to the show, the artist agrees to these terms.
9. How to Submit Your Work for Consideration
You will use an online form to present your work to Agitator Gallery (link provided in 10). Not all work submitted for consideration will be shown; submission for exhibition consideration does not guarantee participation.
Please observe the following specifications. Work presented in formats that do not adhere to these specifications may be discarded. Agitator will retain submitted images of all selected artwork and reserves the right to use the images in publications and promotional materials.
Work Represented by Still Images
Provide a set of numbered images. Enter the details for each numbered image – Entry Title, Dimensions, Year, Price – in a matching numbered list in the appropriate space on the form.
Entry images must be color, 300dpi, .jpeg files no smaller than 1000 pixels in any dimension. Top of work should be aligned to the top of the image.
Name each image file as follows. “#” indicates the number of the work.:
If the image represents a detail of the larger work:
Video / Audio
Submit video or audio works as a link to a full-length online copy. Each submission should have its own link.
Agitator understands that internet-hosted audio/video files may be compressed poorly in order to stream. Full-resolution audio or video files can be presented to the gallery for exhibition.
Video / audio links should be provided on the entry form for each entry in the “Additional Information” section on the form, and should link directly to online streaming content that does NOT require a password or membership to access.
Performance submissions should include documentation of the piece, either video or still images (see submission details above), plus a description of the performance presented in the “Additional Information” space on the entry form. Performance description must include length of performance, open floor space needed, and any other media requirements.
10. Entry Form
11. Gallery Diagram
Thank you for your submission!